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Saturday, 26 April 2014

New Release: Far Away In Time

A Collection of Short Stories

Our lives are a series of stories, and we are the characters with the starring roles. The memories, regrets, secrets, and struggles that fill these pages are at once unique and relatable. These stories belong to us all.

Eight unforgettable tales reaching out to a place Far Away In Time...

 

Watch the Trailer





Available on Amazon Kindle:


Amazon CA: http://www.amazon.ca/Far-Away-Time-Maria-Savva-ebook/dp/B00J0G11S0/

About the Author


Maria Savva lives and works in London. She studied Law at Middlesex University and The College of Law. She is a lawyer, although not currently practising law. She writes novels and short stories in different genres, including drama, psychological thriller, and family saga. Many of her books and stories are inspired by her years working as a lawyer, although she has not written a courtroom drama to date. She has published five novels, the most recent of which is Haunted, a crime fiction/psychological thriller. Far Away In Time is her sixth collection of short stories. You can find out more about her work at her official website: http://www.mariasavva.com

Friday, 25 April 2014

Valkyries - Special Edition of the Mythological Creatures Series


Welcome to this special edition revival of my mythical creatures series.

The valkyrie comes to us from Norse mythology and were believed to be female virginal warriors. They were usually depicted as blonde, blue-eyed and fair-skinned. The word 'valkyrie' literally meant 'chooser of the slain' and so it was believed the valkyries decided which warriors on the battlefield would live and which would die. Six, nine, or thirteen valkyries would await above the battlefield as the battle was fought, and afterwards the valkyries would choose half of the slain to bring with them to Valhalla, ruled over by Odin, while the rest went to Freya's Folkvangr. Anyone not taken by Freya and judged unworthy of Valhalla went to the goddess Hel and her underground realm.

In fact, it was Freya who led the valkyries, and Freya had first choice of the fallen, so the better way to express it is to say the chosen went to Folkvangr while the balance were escorted to Valhalla by the valkyries, provided they were judged worthy. Freya was the goddess of love, fertility and beauty, and was sometimes also attributed as the goddess of death and battle as well. She possessed a cloak of falcon feathers which allowed her to take the form of a falcon.

Arthur Rackham's illustration to The Ride of the Valkyries
Some valkyries could assume the form of white swans, but if such a valkyrie were ever seen by a mortal in her womanly form, she was doomed by Odin to mortality and could never again walk the halls of Valhalla.  At this point the legend of the valkyrie seems to have fused with that of the swan maiden. Swan maidens were believed to possess a cloak of feathers, and if a mortal found and kept the cloak, he could possess the maiden - similar to the legends of the silkies.

The origins of valkyries are uncertain, and a multitude of storytellers and poets has contributed to the lore, muddying the original core substance of the valkyrie. In the very dim past, the valkyrie in its first form may have been similar to the Celtic warrior-goddess, the Morrigan. They were also possibly influenced by Germanic paganism, and may have in the early days been viewed as demons of the dead (a theory posited by Rudolf Simek).

"The Ride of the Valkyries" by the German painter William T. Maud.    
In this guise, the souls of the dead would have 'belonged' to the valkyries, as contrasted with their later role of conductors of dead where they merely escorted the dead to Odin. As the view of valkyries changed, they became more human and less demonic, and it was then that tales of valkyries falling in love with mortals began to emerge.

Hilda Ellis Davidson theorises that the valkyries may have originally evolved from the concept of priestesses to a god of war. Such priestesses may have overseen the putting to death of captives after a battle. Who would die was usually chosen by lot (to send a message to the enemy and demoralise his forces) and may have involved the concept that those who were to die were chosen by the god, and the priestesses would preside over the sacrifice. I rather like this notion... now which book can I use this in!

References

Davidson, Hilda Roderick Ellis (1990). Gods and Myths of Northern Europe. Penguin Books. ISBN 0-14-013627-4 

Simek, Rudolf (2007) translated by Angela Hall. Dictionary of Northern Mythology. D.S. Brewer ISBN 0-85991-513-1 

This is an A to Z Challenge post. If you enjoyed this post, please feel free to check out my previous posts if you haven't already. If you're finding yourself here often, you might like to join as a member, sign up to the blog through RSS or email, or sign-up to my newsletter. Check out my March Newsletter if you missed it.

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Thanks for stopping by and visiting!


Thursday, 24 April 2014

U – Unusual Things I’ve Researched for Fantasy Books



Until my latest WIP, the only thing I had ever really researched for a book was how to kill a man with one blow.

Um… OK. That is weird, I concede. I don’t want to kill anyone, honest. My protagonist was just an assassin with Japanese jujutsu skills. No really. I mean it…

Moving right along…

That was until I got to In the Company of the Dead. 

First I had to research castle floor plans. That was kind of cool, and even involved buying some from a royal historical society to use as inspiration for my castle. Nearly the whole book is inside the castle, so I needed a very clear idea of where everything was. You can check out the floor plans in this post - Floor Plans of Caisteal Aingeal an Bhais: The Castle from In the Company of the Dead.

The castle is under siege, so there’s lots of catapults and burning oil and stuff. This led me to Greek fire, which was a terrible scourge in ancient times, as it was very difficult to put out. The Byzantines had a frightening way of squirting it from their ships onto enemy boats and it would burn on water. In fact, water could not be used to extinguish it, and only sand, strong vinegar and old urine would put it out. But what was it?

We don’t know! We know neither the chemical compound to make Greek fire nor the mechanism used to project it from ships. Thought the secret has been lost, modern scholars suspect it was based on petroleum and may resemble modern napalm. It is probably the inspiration for the wildfire used in the Battle of Blackwater in Game of Thrones when King’s Landing comes under attack by Stannis Baratheon and also Quegan Fire in Raymond E Feist’s Midkemia books.



Depiction of Greek fire in the late 11th century Madrid Skylitzes manuscript.
Then I unexpectedly needed to research how to pull an arrow out. The short answer was – you don’t really want to have to do this because there’s a good chance the victim will die. That wasn’t a very good outcome for the book, so I had to find the long answer.

A plot twist suddenly had me wondering how you know sappers are tunnelling under your castle walls, how you find them once you know you’re there, and then what you do about it when you locate them. This is not an easy thing to learn, although fortunately I found enough to get me by.

Since the conventional approach of dealing with siege engineers wasn’t really an option for my beleaguered heroes (on account of available resources and the like) I had to think of another option. Perhaps some sort of explosive?

Hmmmm. More questions. What kind of explosives might be believable in a high fantasy novel with a roughly medieval feel?

More research…

Turns out the Ancient Chinese had crude explosives from close to the beginning of the AD calendar. Who knew? They even had crude grenades in clay pots and soft-case grenades too – presumably made from something akin to papermache. They definitely had gunpowder (which I now know is made from saltpetre, sulphur and carbon) and saltpetre was even called Chinese Snow. Saltpetre is white, where I had always thought it was black. It’s the carbon added to make gunpowder that makes it ‘black’ powder. I even know where saltpetre can be obtained!


Suenaga facing Mongol arrows and gunpowder bombs during the Mongol invasions of Japan in 1281 AD, painting dated to 1293 AD.

It’s amazing the stuff you can learn while writing a genre often dismissed as ‘fairy tales for adults’. 

This is an A to Z Challenge post. If you enjoyed this post, please feel free to check out my previous posts if you haven't already. If you're finding yourself here often, you might like to join as a member, sign up to the blog through RSS or email, or sign-up to my newsletter. Check out my March Newsletter if you missed it. 

Don't forget to share the love and spread the word on Twitter, Facebook or StumbleUpon (or other social networking site of your choice) if you know other people who might also enjoy this.

 Thanks for stopping by and visiting!

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