Today I'm welcoming Brad Cameron to guest on my blog.
Brad is from Edmonton, Alberta, Canada and currently resides in
the Pacific Northwest. He is a middle school Humanities and Language
Arts teacher who has been inspired to write Young Adult Fantasy through
his countless hours of teaching and reading to students. He is an avid
follower of all things
mythological. When not writing, Brad spends his time in the outdoors
either on his bicycle or motorcycle touring the stunning countryside
near his home. Brad is currently working on book three in The Zeke Proper Chronicles, The Gates of Asgard, due out in the Summer of 2013.
~
One of my
greatest joys as an author of Young Adult Fantasy Fiction is the opportunity to
visit with some of my readers: elementary, middle, and high school students
who’ve weaved their way through the streets of Alder Cove alongside Zeke
Proper, the hero of my fantasy series. During their journey the students have
begun to discover Zeke’s unique connection with the Norse gods and in some
cases, the renewal of some long forgotten myths. During my visits, I am constantly
told that when they read the stories they often feel as if they are “right
there” that they can see, feel, hear, and sense what is happening in the story.
The comment is often followed with the inevitable question: “How do you make
the images so clear?” My response is always the same: I strap on my writer’s
tool belt.
The contents of
my tool belt, when finally exposed, reveal no great secrets. The tools are the
ones that English teachers have been talking about for years: metaphors,
similes, personification, etc. However, like any tool, its proper use is
paramount. Descriptive writing is so much more than just smattering many
detailed words on paper. Descriptive writing is constructing the proper words
with images that are familiar to the reader.
Imagine that
you are in an unfamiliar country, struggling to learn a new language. A
stranger among your small group of new friends begins to tell a joke. When he
finishes, everyone, including himself, begins to laugh, but you stand there,
looking embarrassed and confused. However, the problem isn’t that you didn’t
understand the words he used; you’ve been studying hard, so you know what the
words mean. The problem is that you didn’t comprehend the context of the words.
Perhaps the joke depended upon your need to understand a particular cultures’
idiom or custom with which you are completely unfamiliar. Or perhaps the teller
wanted you to rhyme a word with another in order to understand the punch line.
In either circumstance, you’re baffled, and a little disappointed, because you
missed something that was apparently quite funny. A writer, in order to be
successful, can’t afford to baffle or confuse his readers. He has to choose
words and context clues with which the reader is familiar, thus pulling him/her
into the scene so that they can see, feel, taste, or hear whatever it is he is
trying to describe.
As an example,
I will use a passage from Book 2 in The Zeke Proper Chronicles: The
Serpent’s Ship. In this scene, Zeke is engaged in an early morning run near
his home. The story begins to take on an ominous impression.
“Zeke’s chosen route headed up Pike Street where his own house stood, quiet and sleepy, like its inhabitants. The road stretched for a quarter mile before taking a slight left turn and coming to a dead end. Zeke entered a cul de sac where the houses seemed to circle in a protective arch. Zeke passed through a cleft between the homes, still bent against the force of the wind and rain and found himself on a sodden trail where muck, fallen leaves, and pinecones littered the ground. He tried hard to keep to the edges of the path where the ground was more firm, but instead kept finding himself slipping into the middle of the trail where the rain accumulated, causing his feet to slosh and stick with each step. When he lifted his foot, the earth emitted a disgusting farting sound that, despite the discomfort he felt, made Zeke laugh, a tight smile etched across his strained face."
In this
example, I try to use images that would be familiar to most students: the long
march to school on a blustery, cold day. And the sound of a fart? Well, let’s
face it; we all know what that sounds like. Imagining Zeke’s early morning
trek, then, should not be difficult. Creating authentic images is imperative to
good writing. A reader who has lost his vision of the story stops reading.
You can find Brad and his work at the following links:
Links to The Zeke Proper Chronicles on Amazon: http://www.amazon.com/s/ref=nb_sb_noss?url=search-alias%3Dstripbooks&field-keywords=Zeke+Proper+Chronicles
Author Blog: www.zekeproperchronicles.blogspot.com
Link to Twitter: @camgang817 https://twitter.com/camgang817
Link to Facebook: The Zeke Proper Chronicles http://www.facebook.com/#!/TheZekeProperChronicles?fref=ts
You can find my guest post on Brad's blog, on researching the fantastical, here.
2 comments:
Cool post -- it is so important to use images that are familiar yet fresh, so that they resonate with the audience.
I agree - outlandish or just plain weird imagery often won't evoke the desired effect (unless, of course, outlandish or weird is the desired effect!).
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